Die Ölgemälde alles John Constable

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Painting (From A to Z)

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32977

The edge of a heath by moonlight

mk82 c.1810

33110

The edge of a Heath by moonlight

mk82 oil on paper laid on canvas 15x25.7cm

48619

The Flower Garden at East Bergholt House,Essex

mk190 1815

437

The Glebe Farm

1835 Tate Gallery, London

33175

The Glebe Farm

mk82 c.1830 oil on canvas 59.7x78.1

33176

The Glebe Farm

mk82 1830 oil on canvas 49x62

38583

The Grove,or the Admiral-s House Hampstead

mk138 1821/22 Oil on canvas 60x50cm

32999

The hay wain

mk82 1821 oil on canvas 130.2x185.4cm National Gallery, London

33922

The Hay Wain

mk87 1821 Oil on canvas 130.5x185.5cm London,Nationa Gallery

54520

The Hay Wain

mk235 1821 Oil on canvas 130.2x185.4cm

56190

the hay wain

mk247 1821,oil on canvas,51.375x73 in,130.5x185.5 cm,national gallery ,london,uk

21437

The Hay Wain (mk09)

1821 Oil on canvas,130.5 x 185.5 cm London,National Gallery

43316

The Hay-Wain

mk170 1821 Oil on canvas 130.2x185.4cm

42757

The jumping horse

MK169 1824-24 oil Paint on cloth 142x187cm

48618

The Kitchen Garden at East Bergholt House,Essex

mk190 1815

32997

The leaping horse

mk82 1825 oil on canvas 142x187.3cm

38755

The Leaping Horse

mk141 1825 The Royal Academy of Arts,London

32986

The Lock

mk82 1824 oil on canvas 142.2x120.7cm

23276

The Lock (nn03)

c 1824 Oil on canvas 142 x 120 cm 56 x 47 1/2 in Fundacion Coleccion Thyssen-Bornemisza Madrid

32842

The Mill Stream

mk81 c.1810

32998

The Opening of Wateloo Bridge

mk82 c.1832 oil on canvas 130.8x218cm

40675

The Opening of Waterloo Bridge

mk156 1932 Oil on canvas 130.8x218cm

33001

The path to the church

mk1821 oil on canvas 91.4x72.4cm

33104

The Quarters behind Alresford Hall

mk82 1816

32968

The Quarters'behind Alresford Hall

mk82 1816

33126

The Quarters'behind Alresford Hall

mk82 1816

33111

The Stour 27 September 1810

mk82 oil on canvas 23.8x23.5cm

33121

The Stour Valley and Dedham Village

mk82 5 September 1814 oil on canvas 39.4x55.9

44235

The Stour-Valley with the Church of Dedham

1814 Oil on canvas, 55,5 x 77,8 cm

32956

The Vale of Dedham

mk82 1827-28

33169

The Vale of Dedham

mk82 1827-28 oil on canvas 145x122

436

The Valley Farm

1835 Tate Gallery, London

33924

The Valley Farm

mk87 1835 Oil on canvas 147.3x125cm London,Tate Gallery

21439

The Valley Farm (mk09)

1835 Oil on canvas,147.3 x 125 cm London,Tate Gallery

32961

The Valley of the Stour at Sunset 31 October 1812

mk82

33117

The Valley of the Stour at sunset 31 October1812

mk82 oil on canvas 11.7x28.4cm

33113

The Village fair,East Bergholt 1811

mk82 oil on canvas 17.2x35.5cm

32949

The wheatfield

mk82 1816

32982

The wheatfield

mk82 1816

33124

The wheatfield

mk82 1816 oil on canvas 53.7x77.2cm

53881

The white hasten

mk234 probably 1819 130x188cm

31837

The White horse

mk76 Dated 1819 Oil on canvas 51 3/4x74 1/8in

21299

The White Horse (mk09)

1819 OIl on canvas,131.4 x 188.3 cm New York,The Frick Collection

32996

THe WHite hose

mk82 1819 oil on canvas 131.5x188.3cm

48670

Unknown work

mk191 1827 Oil on canvas 127x183cm

48671

Unknown work

mk191 Oil on canvas 1827 127x183cm

32962

View from Hampstead Heath

mk82 looking toward Harrow August 1821

33134

View from Hampstead Heath,Looking towards Harrow August 1821

mk82 oil on paper laid on canvas 25x29.8

33133

View from Hampstead Heath,Looking West

mk82 14 July 1821

38757

View in Garden at Hampstead,with a Red House beyond

mk141 1821 Oil on canvas

38763

View into a Garden in Hampstead with a Red House beyond

mk141 1821 Oil on canvas 35.5x30.5cm

98467

View of Highgate

1st quarter of 19th century Medium oil on canvas Dimensions 24 x 29,5 cm

48603

View of Malvern Hall,Warwickshire

mk190 1809

20837

View of Salisbury (mk05)

Canvas ,14 1/4 x 20 1/2''(36 x 52 cm)Bequeathed in 1952 R.F 1952-25

30681

View of Salisbury Cathedral Grounds from the Bishop's House

mk68 Oil on canvas London, Victoria and Albert Museum 1823 Britain

48604

View of the grounds of Wivenhoe Park,Essex

mk190 1816 the Seat of Major-General

32992

View on the Stour,Dedham Church in the distance

mk82 c.1832-36

33180

View on the Stour,Dedham Church in the distance

mk82 c.1832-36

32945

View towards the rectory

mk82 East Bergholt30September 1810

32957

View towards the rectory

mk82 East Bergholt 30 September 1810

33112

View towards the rectory,East Bergholt 30 September 1810

mk82 oil on canvas laid on panel 15.6x24.8cm

33004

Water-meadow near Salisbury

mk82 1829 Oil on canvas 45.7x55.3cm

33144

West End Field,Hampstead,noon

mk82 c.1821-22 oil on canvas 33.2x52.4cm

32953

West End Fields,Hampstead,noon

mk82 c.1821-22

33011

West End Fields,Hampstead,noon

mk82 c.1821-22

33182

West End Fields,Hanpstend,noon

mk82 c.1821-22

32951

Weymouth Bay

mk82 c.1819/1830

33129

Weymouth Bay

mk82 c.1819/1830

33181

Weymouth Bay

mk82 c.1819/1830

33920

Weymouth Bay

mk87 c.1816 Oil on canvas 53x75cm London,National Gallery

98475

Weymouth Bay

1816(1816) Medium oil on canvas Dimensions 53,3 x 75 cm

21434

Weymouth Bay (mk09)

c.1816 Oil on canvas,53 x 75 cm London,National Gallery

43314

Weymouth Bay Bowleaze Cove and Jordan Hill

mk170 1816-1817 Oil on canvas 53.3x74.9cm

44244

Weymouth Bay, with Jordan Hill

1816 Oil on canvas, 53 x 75 cm

438

Whitehall Stairs on June 18, 1817

1832

32973

Windermere

mk82 1806

33107

Windermere

mk82 1806 Watercolour and very faint pencil 20.2x37.8cm

58415

Wivenhoe Park

Wivenhoe Park, 1816

89537

Wivenhoe Park

1816(1816) Medium oil on canvas Dimensions 56,1 x 101,2 cm cyf

456

Wivenhoe Park, Essex

1816 National Gallery of Art, Washington DC

85329

Wivenhoe Park, Essex, Wohnsitz des Major-Generals Rebow

Date 1816(1816) Medium Oil on canvas Dimensions 56,1 x 101,2 cm cjr

91127

Wolken-Studie

1822(1822) Medium oil on paper Dimensions 37 x 49 cm cyf

87066

Yarmouth Pier

Oil on Canvas. 12 x 20 in (30.5 x 50.8 cm). Date 1822(1822) cyf

88999

Zirruswolken

1821-1822 Medium Oil on paper Dimensions 11,4 x 17,8 cm cjr

Prev 1 2 3

John Constable

1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

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